Hogar > Noticias > James Gunn responde al comercial de televisión de Superman: Sin efectos digitales en la cara de David Corenswet
James Gunn, co-CEO of DC Studios, has officially addressed the growing online conversation surrounding Superman’s flying scene in the latest Superman TV spot, putting to rest rumors of problematic CGI on David Corenswet’s face.
The 30-second teaser—unveiled over the weekend—showcases two striking new moments: Lex Luthor (played by Nicholas Hoult) stepping out of a helicopter into a snow-covered, windswept wilderness (a likely nod to the Fortress of Solitude’s Arctic setting), and a breathtaking aerial sequence of Superman (Corenswet) soaring over icy tundras, executing a dramatic barrel roll.
While the visuals have drawn widespread praise for their grandeur and cinematic flair, some viewers noticed something unusual: Superman’s facial expression during flight appears unusually still, almost blank, while his hair and cape whip wildly in the wind. This contrast sparked speculation—some fans accused the filmmakers of using flawed CGI to "freeze" Superman’s face, while others speculated that it was a result of poor facial rendering.
Gunn quickly stepped in on Threads to clarify:
“There’s absolutely no CGI on his face. A wide-angle lens up close can alter facial appearance. The Svalbard background is 100% real, as is David.”
Svalbard, the remote Norwegian archipelago, was indeed used as a real-world filming location for key scenes, lending authenticity to the frozen landscape. Gunn emphasized that the look—featuring Corenswet’s subtle, wind-blown smirk—was entirely natural, captured in-camera, and not digitally enhanced.
He also noted that the effect may be due to lens distortion from close-up wide-angle shots, a common cinematographic phenomenon that can stretch or warp facial features. “It’s not a flaw,” he said. “It’s a choice—and a very real one.”
Despite Gunn’s explanation, the discussion persists online, with many comparing the moment to Adam Warlock’s iconic flight scene in Guardians of the Galaxy Vol. 3, another Gunn-directed sequence that similarly played with facial stillness and environmental motion. Fans are divided—some see it as a bold, emotional choice, others as a curious stylistic quirk.
Still, excitement for Superman remains sky-high. The film, set for release on July 11, 2025, marks the launch of DCU Chapter One: Gods and Monsters. With Gunn at the helm and a fresh take on the Man of Steel, audiences are eager to see how hope, heroism, and cinematic innovation will converge.
For deeper dives into the new film, IGN offers:
As the DCU’s grand experiment unfolds, one thing’s clear: the world is watching—and waiting for the world’s first hero to truly soar. 🛸✨
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